Four R’s to Find Your Essential Work . . . Instead of Rabbit Holes!
You’ve heard people talk about creating a minimum viable product. How about a minimum viable process? Your time and energy are valuable—and limited—resources. How much work do you really need to create and market your books? Use these 4 R’s to find the essential work.
Risk—Send it off. Email it to your beta reader or editor or hit publish. Test the edges of your process to see how much is necessary. Fear is an excellent tool for finding new risks that might matter. Gently now, test one scary thing at a time. If it works, congratulations. If it doesn’t, you can take it off your to-do list. And test something else.
Restlessness—Are you nervous about a scene or a strategy? Restlessness is a cue that you are facing a worthwhile risk. Do you keep finding yourself on social media without a plan? Try moving physically from one writing spot to another. A long walk could also give you the answers you need. Try writing out your questions as clearly as possible before you go. As Anne Janzer writes: “Technology is most tempting when the work is difficult.”
Recycle—Review your plan (instead of email or social media) or review your draft from the day before. It’s more restful than email, social media, sales tracking or [insert favorite crutch activity here]. It grounds you in your own agenda, instead of letting your writing career be blown by every wind on social media.
Relinquish—Now that you’ve narrowed down your work, let the rest go. Anxiety about external goals powers up your internal critic, so you can’t do your best work. Trust is a doorway into the low-friction flow state, the sweet spot of creativity.
Refining your creative process with Risk, Restlessness, Recycle, and Relinquish gives you actionable knowledge, so you can find ways to rest. Now that you’ve stabilized your process, you can trust it.
Resources
The Writer’s Process: Getting Your Brain in Gear by Anne H. Janzer
When Writing Means Business, Storytellers Read Indie Author Magazine
Despite my best marketing efforts, my backlist just isn’t selling. How do I decide whether to go back to the drawing board and refocus the series or cut my losses and unpublish it? At a Crossroads Dear Crossroads, I feel your frustration, love. When a backlist underperforms, it’s like owning a vintage auto that sputters more than it purrs. Do you tune it up or trade it in for a new model? Let’s hash out
I’ve only ever written in one particular genre. I have an audience built there, a decent backlist, and a few ideas for future books. But I just recently got an idea for a story in an entirely different genre—one that I don’t even know I’ll continue past this book. Do I write the new idea or stick with what I know? Pestered by a Plot Bunny Dearest Plot Bunny, The temptation of an off-brand manuscript
My biggest obstacle in my career is profitability. I have a full series of eight books, with great read-through. I do everything I’m supposed to do to advertise them: Facebook Ads, freebies, group promos, daily posts on social media. But I’m still not earning much. How do I make money in this business? Seeking More Sales (Aren’t We All?) Dearest Seeking Sales, Oh, my little crumpet, this profit pickle has so many of us in
We’ll send you our best articles, special offers, and industry updates
Hello! I’m Indie Annie, and I would love to send you a copy of this month’s issue of Indie Author Magazine. Just join our email list and I’ll drop it in your inbox!