Hello, my pretties!
We’ve spent the past two installments talking about how your book looks on the outside—the cover that will draw your readers’ eyes and the blurb that will get them hooked on your story. Now, we’re turning the page, literally, to focus on how it looks on the inside.
Formatting is the work readers never notice unless it's wrong. Good formatting is invisible. The reader flows through your story without tripping over awkward page breaks, inconsistent fonts, or chapters that start in strange places.
Bad formatting pulls readers out of the story. It makes your book feel amateur and can earn you reviews that mention poor quality, even when your writing is excellent.
The goal is that the inside of your book looks professional, clean, and unobtrusive. And that’s why the way you format it deserves a closer look.
Ebook Versus Print
Many newbies don’t realize ebooks and print books require different formatting approaches.
Ebook formatting must be flexible. Readers will access your book on different devices, read in various apps, and—depending on the app they prefer and the files you upload—adjust fonts and font sizes to suit their preferences. Your formatting needs to flow gracefully across all these scenarios.
Print formatting is fixed. You control exactly how each page looks. But you also need to manage margins, gutters, widows, orphans, and all the technical details that make a physical book feel professional, as well as ensure it’s legible for a broad range of readers.
Most authors today publish in both formats. That means formatting twice or using tools that handle both efficiently.
Your Formatting Options
For laying out your book’s interior, you have several approaches to choose from.
- Formatting with writing software like Word or Google Docs can work, but it requires attention to detail. You'll need to understand styles, section breaks, and export settings. The learning curve is real, and mistakes are common.
- Dedicated formatting software, such as Vellum, Atticus, or the tools available through Draft2Digital or Reedsy, simplifies the formatting process significantly. These programs are designed for book formatting and handle many technical details automatically. You may have limitations to your design, or you may need to prepare your text files before you upload them, but these platforms can limit the heavy lifting and technical knowledge other formatting options can require. I’ll be honest, anything technical scares me, so I usually choose this option.
- If you have the technical know-how, then you can also try using dedicated formatting or layout software such as Adobe InDesign or Affinity Publisher. The results will be more unique and may be worth the effort, especially for special edition print copies, depending on your genre. But be prepared to allow yourself plenty of time to do this in your publishing schedule.
- Hiring a professional formatter is the hands-off approach. You send your manuscript; they return files ready for upload. This option can offer the same flexibility and customization as using professional software without the effort on your part, though costs range from $50 to $200 depending on complexity.
I used Vellum for my Cozy Mysteries—rather, I asked a friend who owns Vellum to do it for me because I don’t own a MacBook. However, you can get similar results with other formatters like Atticus, which runs on any laptop. There is an initial upfront cost to either platform, but the investment will pay for itself in time saved and professional results.
For this Romance project, I've invested in Atticus. There is only so far you can push a friendship.
Still, if you’re operating on a tight budget, there are free platforms that can also work, such as Reedsy. Even Amazon has its own KDP Publisher tool, which will do the job if you’re only planning on publishing through KDP. It all depends on what you need, your financial and technical limitations, and how pretty you want to make it.
The Essentials
Regardless of how you approach formatting, you’ll need to ensure your final book contains certain key elements.
- Front matter should include your title page, copyright page, and any dedication or epigraph. Keep it simple. If you are not sure what to put, look at other books. Everything you need to include will be there.
- Chapter headings should be consistent throughout your story, in look and in naming convention. Pick a style, and stick with it. Readers notice inconsistency even when they can't articulate why something feels off.
- Scene breaks need clear markers. Whether you use a symbol, extra spacing, or another device, readers should never be confused about when a scene shift occurs.
- Back matter is your opportunity to connect with readers. Good marketing practice suggests you include an author bio, links to your other books, and a call-to-action for signing up for your newsletter or preordering your next release.
For print, you'll also need to consider your book’s trim size, margins, and paper type. You likely decided this when designing your cover, but either way, you’ll need to ensure your final dimensions match between the interior pages and the cover. Standard sizes like 5 × 8 inches or 6 × 9 inches work well for most fiction.
Common Formatting Mistakes
New authors often stumble in predictable places. Keep the following in mind as you begin formatting your book.
- Use proper paragraph formatting rather than tabs or manual spacing to organize your text. The alternative creates chaos in ebooks where text reflows constantly.
- Keep your style consistent. Avoid using different fonts, sizes, or spacing throughout the book. This can confuse readers or disrupt your story, and your style may be lost in a reflowable ebook, where readers can select their own fonts within their e-reading platform.
- Ebooks need navigable tables of contents. Print books may or may not include them, depending on genre conventions, but an ebook table of contents should allow readers to click and jump to the start of any chapter or section in the book.
- Don’t ignore how your ebook looks at different sizes and dimensions. What works on a tablet may look strange on a phone screen.
- For print books, a few conventions help your book feel professional. Body text typically uses a serif font like Garamond or Times New Roman, which is easier to read on paper than sans serif alternatives. Page numbers should appear on every page except the title page and chapter openers. Each chapter should begin on a new page, often a right-hand page in traditional publishing, with some blank space before the chapter heading. These details seem small, but readers notice when they're missing.
- Always proofread the final formatted version of your book. Formatting can introduce new errors or reveal others that slipped through earlier in the process.
Before you publish, test your formatted files. For ebooks, preview them on multiple devices and apps. Kindle Previewer is required for publishing on Amazon. Check on phones, tablets, and e-readers if possible. For print, order a proof copy. Hold the physical book. Flip through the pages. Check for errors you missed on screen.
This testing stage catches problems before readers do. It's worth the extra time and cost.
Perfection Isn't Required
Formatting should be professional, but it doesn't need to be elaborate.
Readers want a clean reading experience. They don't need fancy drop caps, decorative elements, or complex layouts. Simple and consistent beats fancy and inconsistent every time.
Focus on getting the basics right. Polish matters more than flourish.
Reflection Exercise
Before diving into formatting, ask yourself the following questions.
- What formatting approach matches my skills and budget?
- Have I looked at how books in my genre typically are formatted?
- What front matter and back matter elements do I want to include?
- How will I test my formatted files before publishing?
Reality Check-In
Formatting turned out to be less terrifying than I expected.
As I mentioned before, I’m using Atticus for this project. I imported my manuscript and let the software do its magic. Within an hour, I had a clean ebook file and a print-ready PDF.
I’ll be honest, doing it myself was very satisfying. I was able to see my words laid out like a real book, with chapter headings in my chosen style, clean page breaks, and professional margins. After months of staring at a Word document, seeing my words formatted made everything feel more real.
I ordered a print proof last week, and it arrived just before I sat down to pen this article. Holding the physical book was emotional in ways I hadn’t anticipated. There's something about paper and ink that makes the accomplishment tangible. As I write this, I keep looking at it.
I need to make a few minor fixes: One scene break didn't render correctly, and I spotted a typo that survived every previous round of editing. The typo hurt. But better I caught it now than after launch.
Happy writing,
Susan
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